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Lighting Artwork

There is a saying for lighting artwork…Light your space, not your face. Light your store, not the floor. Do your part, light the art!

hand-drawn sketch of all the places where light reflects in a room while character has lightbulb speech bubble while on the couch.
Light – it’s everywhere!

I remember going to school in Italy and upon entering some dark churches with their unlit side chapels, At the side of some of the chapels were pay meters to turn on the lights. If one put a few Lire in the money slot, the lights would go on and reveal the beauty and splendor of some pretty amazing old master paintings! What looked dark now radiated!

Lighting is an essential part of making the artwork look alive on a wall. A dark wall makes for dark art. So whether you use a spotlight, floodlight, or softly ambient light – as long as there is light to bounce off the pigments of a painting or print, that’s good.

But getting the angle right for having not too much or any glare is important too. Some homes look so nice at night. The reason is often that the house is lit so that light is lighting up the house, and not just shining at, and in your eyes. It’s the same with artwork.

Light Fixtures: My go-to

I always prefer lighting heads that can move on a track to adjust or reposition; moveable track heads at home, and clip-on lights for the studio. Usually, one light in a good position, distance, and angle do the job for each piece of art. I have a lot of art in my home and studio so I have a lot of lights!


I like a flood-type bulb, a fine spot can create hot spots and be a bit too bright.  But depending on how far away your light is, a spot can work too. 

At home, we have mostly halogen bulbs (which I think are kind of ‘spot-lighty’) and at my studio, I have mostly LED floodlights.

Lighting Artwork At Home

I have track lighting with movable heads in my living room, that runs the perimeter of the room about two feet away from the wall. When I finally put good lighting in a few years ago, I wondered why we waited so long! The track is wired in and is hooked up to a dimmer switch. Sometimes the lights are bright, and sometimes a bit dimmer. Adjustable lights allow me to move lights as I change up the artwork every so often and position the lights if a sheen or glare is spotted while sitting on the couch.

At night, I love to just sit and stare at the softly lit paintings. Between the lighting and the art, we have a nice range of moods covered!

Studio Lighting

At the studio I use construction clip-on lights with very low wattage, using warmish white LED bulbs. I used to use a sandblasted specialty bulb to get even lighting, but it was too yellow. Now with LED, I find the light even so the newer technology works for me! I prefer a ‘warm white’ light. Ten LED bulbs use the same power as one older incandescent bulb, so my room glows and minimal power is used.

Lighting the studio with clip lights and LED bulbs. Large oil paintings on the wall on the wall
Clip lamps are great for quick adjustments – notice there are no bright exposed bulbs. See more of Michael’s Oil Paintings here!

The studio ceiling is ten feet high, higher than at home, so I can have the lights a little further away from the wall to light a bit of a larger surface area, but I still like them close enough so the light bounces down and not at an angle that gives glare.

Lighting Artwork for Optimal Viewing

The main takeaway: Find the prime viewing spot where the viewer will experience the piece.

Photo of a studio, and a bare light bulb pointed at the viewer. A ladder is positioned below to adjust the lighting.
The lighting is angled right at the viewer, both blinding the viewer and creating a lens flare.
Michael standing on a ladder to adjust the lights that fall on the 'Angel Song' oil painting.
Adjusting the lights – Remember, safety first!
Perspective of entering the studio to see colorful paintings on the wall.
Find the ‘Prime Viewing spot’ and be aware of exposed bulbs. Original Oil Painting ‘Angel Song’

If someone enters my home or studio I want them to see the artwork, not the shine coming off of the artwork. To avoid this, I position and angle my lights to get the least amount of glare, from the preferred or prime viewing spot. This could be standing or while sitting on the couch – I want people to see the art and not glare. When I create the paintings, I angle my studio lights from high above left down and fairly close to the easel so I don’t see shine or cast a shadow while I paint.

When I sit on my home living room couch the track light is close to the wall, so the light points down and they are to the left and right of the artwork so that the light isn’t bouncing at an angle into one’s eyes when they walk in the room. I like lighting that doesn’t shine at you, but at the object one is looking at.

The dimmer switch was installed so the lights could be lowered when watching television, and for controlling the intensity of light on the work. On a gray Vancouver day, it is nice to have the lights on a bit to give the artwork a soft glow.

Recessed lighting is not right for artwork unless it is directional. One friend recently did a renovation and put in recessed lighting, and just in front of the fireplace, but never considered lighting directly above the fireplace where actual artwork is hung. It is a bit of an oversight, but fixable with a different fixture installed in the recess.

Recessed lighting has no control over the direction of light – consider using an additional more direct light

I am not a fan of little clip-on-power frame-type lighting unless the artwork is small. Sometimes the wires stand out and distract from the art.

Interior space with wood drawers and blue sky original painting by Michael Abraham titled 'digging for gold'
‘Digging for Gold’ original oil painting, lit from the left side.


‘Family In the Woods’ art print with the glare of fluorescent lighting.
Clip LED light on 'Family in the Woods' print by Michael Abraham hanging on white wall
Reducing the glare with 1 controllable light

Similar to when a camera flash glares back when taking a photo of a frame, controlled or ambient light can have the same constant effect. If this is happening at home, it could mean that the light needs a bit more distance from the artwork. Lighting that appears too dull may mean the light may need to be brought a bit closer… or for larger works maybe add a second light or use a slightly stronger wattage bulb.

In my studio I want people to walk in and immediately see the artwork well-lit, so I point the lights at an angle into the room. People get drawn into the artwork as they walk the length of the long studio wall without light shining in their eyes. When they turn to leave they may get a bit of glare but by then they have enjoyed the art!

Perspective from the upper stairs entering the studio.
Studio Entrance – Note the clip lighting at the top is lighting the art, and not eyeballs.

Example: Using Angel Song Painting

Here are a few different shots of the ‘Angel Song’ painting set up in the studio. When the light is too close to the top it creates a hotspot. To conquer this, adjust the angle of the light so it points lower down (double-check that you are lighting the art and not the floor).

First step of lighting artwork. Painting on the wall, titled ' Angel Song' with dramatic hotspot
Before – 2 lights pointed at one spot and it’s too bright! Time to adjust the position.
second step of lighting artwork:Original oil painting of 'Angel Song' with lighting that produces a hot spot on the top
Looks better after light adjustments, but there is a hotspot still visible, at the top center.
final stage of lighting artwork: 'Angel Song' original oil painting hanging on the wall with even lighting.
Notice the difference in shadows after distancing the spot of each light. This is even light.

I try to position the light and/or two lights to be evenly centered, not too bright or hot in any spot. Sometimes I want a certain section of the artwork to pop by being slightly brighter lit than other areas, so I focus the light on that focal point.

In home example of lighting artwork using single track light shining onto Michael Abraham Oil Painting as a focal point
A single-track light is pointing directly at the highlighted figure in the center of the Michael Abraham painting, ‘My little God’

Closer lighting gets brighter but sometimes too bright – Farther away creates softer lighting which can be nice on some brighter pieces.

Large artwork sometimes needs 2 lights shining from both sides.

Lighting artwork in home: photo of living room with large painting and couch. 2 lights are pointed to the large painting.
‘Hypnotica’ is a large piece that requires 2 lights shining from both sides. See more original oil paintings by Michael Abraham.

Example: Quick Fix in store

When I visited a boutique gallery shop I had a few artworks in, I was chatting with the owner and she said they needed better lighting. I noticed they were lighting the floor, not the store! Since I am a bit obsessed with getting the light right, I asked her if I could help her by re-positioning some of the lights, to get the right angles to make the store and her product better lit, without the expense and hassle of getting new lighting. Within half an hour of jumping up and down a ladder, she was pleased as can be that the store and her product “came alive”.


So if you are in doubt about whether a painting is too dark or too bright for a room or space, lighting artwork is often as simple as repositioning some of the lights. Sometimes just repositioning the direction of the light a few inches can change the ‘feel’ of the artwork. By asking the right questions*, you can make your home feel like the Sassetti Chapel in Santa Trinita.

The Questions*:
Does the light need to be closer, farther, higher, or lower, and at what angle does the light need to be so you get the least amount of glare?

Perspective of person finished lighting artwork, sitting on the couch, looking at a wall covered with well lit artwork, prints and oil paintings.
Enjoying the view of oil paintings ‘Angel Song’ and ‘Unicorn Box’, and ‘Family in the Woods’ art print from the studio couch.